The walls are suddenly made of stone bricks and the floor is dirt. [9] Tom Huddleston from Time Out London awarded the film 4/5 stars, calling it "[an] atmospheric, genuinely nightmarish Turkish horror movie". Yavuz demands to know why he is laughing, and angrily kicks over a bucket, which is full of frogs. He tells the officers that he is only there to help them, on a night where doors open and realms unite. As they drive, they receive a radio call asking for backup in somewhere called Inceagac. The other officers start talking about their sexual experiences, as the chef starts cooking the meat. The other officers find a room with chains hanging from the ceiling, decorated with similar ornaments to before, with blood and grotesque drawings on the walls. I'm definitely unsettled. It is handed to the chef, who begins cutting the meat. Baba licks his knife, and then his finger, which he uses to dab blood onto Arda’s forehead. The officers rush to him and prepare to shoot the restroom door lock before it opens on its own. He goes back to Arda and grabs his head, placing their foreheads together again, and Arda has visions of the road and the abandoned building, cast in a red light. Arda squeezes his eyes shut. This scene is used quite a few times throughout the movie. He falls to the ground, in the dungeon. This mythological thriller/horror film from Turkey offers irrepressible terror wrapped in mystery. Get unbiased reviews and interesting updates about your favorite Films & TV Shows. He is handed a small knife. He states that the next day, he found out that his friend truly had died that night. Small ornaments crafted with twigs, some vaguely human-shaped, hang from a nearby branch. Baba kisses Yavuz on the forehead and tells him not to disappoint him. Apo notices another room where bloody bodies wrapped in clear plastic are hanging from the ceiling, and others wrapped in chains around black plastic line the walls. He removes his hood and washes his hands and his disfigured head, then laughs at Yavuz. The opening scene of Baskin is inspired by a nightmare, which Evrenol’s father often experienced as a child. He tells them that it was a police station back in the Ottoman days, and a stable when he was a child, but that is now deserted and avoided. [1] Cerrahoglu suffers from an ultra rare skin condition which gives him his unique physical appearance. As they do, something unseen jolts the van behind them. Actors Muharrem Bayrak and Gorkem Kasal, who had performed in the short film version, returned to star in the full-length film, joined by Ergun Kuyucu, Fatih Dokgoz and Sabahattin Yakut as the five police officers that make up the film's main cast of protagonists. Baskin is absolutely oozing with nightmare fuel, but doesn’t earn any of it. The chef enters and defends him, saying that he is only a boy. As they argue, they fail to notice a bloody person standing in the middle of the road, who the van hits, then swerves and crashes into a shallow stream. Can’t wait for his next. Amidst Yavuz and the other officers laughing and joking about the story, the young man brings food to the table. The officers enter the building. [7], Shock Till You Drop praised the film and drew comparisons to the work of Italian horror director Lucio Fulci, writing "BASKIN feels like a steroidal version of a vintage early 80’s Fulci film; not a rip-off or an homage by any stretch, but an heir to the same philosophies of filmmaking, the same desire to create an unrelenting, dreamscape of Grand Guignol and emotional response. Baskin and husband Howard explained the details of the incident to TMZ. There is also a cage with a blood-covered woman inside. He tells them that Hell is not a destination, but something they carry inside them, and that he is there to shepherd and guide them. He sees his childhood self pulled into the room by the robed arm from the opening dream sequence. He follows it to a room where he finds a naked person covered in blood, with chains around their wrists apparently having intercourse with another bloody person with a black plastic bag over their head. The first thought which crossed my mind after completing the whole movie was, “Is Arda Devil’s son?” The seed of this idea rests in the opening scene. The man repeatedly asks Yavuz to open his mind, as he begs him to stop. The film closes on the now-empty police van, sitting abandoned in the stream. It leaves us with two questions, was the whole story just a mere nightmare of Arda or was Arda actually Devil’s own son? [citation needed], Learn how and when to remove this template message, he found out that his friend truly had died that night, "Watch the Original 'Baskin' Short That Preluded the Film's Trip to Hell! It will brutally play with your sanity and will leave you flabbergasted. So, no, Baskin isn’t that Event Horizon trip to Hell we were all expecting, it’s instead a slow-paced horror fairytale that you tell bad children at bedtime to scare them into being good. Arda suddenly sees the hooded figure standing in the shadows behind Remzi, who tells him that this is the first time someone else has been able to see it. Baskin was directed by Can Evrenol, who also co-wrote the film, and is based on Evrenol's earlier short film of the same name. They note that their radios and phones are broken, presumably from the water. They find egg shells that seem filled with blood. They get one of the strangers to lead them to a building where an empty police car is parked outside, with its lights flashing. Baskin is a 2015 Turkish surrealist horror film directed by Can Evrenol, based on his 2013 short film by the same name. Fright Logic Episode 3: ‘Baskin’ Explained! Remzi, Arda, and Yavuz run down a hallway, pursued by the blindfolded people who pursue them on all fours. On one side of the room, a woman with a butcher knife is cutting up a body and throwing entrails into a bucket. The one-eyed man picks up the spider and places it into a drawer. After trying his hand at quite a few short horror movies, director Can Evrenol marks his silver screen debut with Baskin, based on 10 minutes short of the same name. He tells Arda that he made a promise to protect him. So, I have decided to dissect every scene, which deserves some kind of elucidation. Carole Baskin tearfully explains the impact of Tiger King series on her life. Was the nightmare actually a figment of the truth, which recurred to him multiple times? Remzi, Yavuz, and Apo are chained to their own pillars. Seyfi states that he had heard about the place, and echoes that it was a police station in the Ottoman days. The show stealer was definitely Mehmet Cerrahoglu, the actor, who effortlessly personated Baba. Notably, all of the police officers, including Arda, are shown in the van, suggesting that Arda is caught in a time loop. It also involves people seeing stars at the end of the movie wondering what they have just witnessed. One of the police officers, Seyfi, sits away from the table, nursing a headache. Baskin complements its gory thrills with heavy atmosphere and deliberate pacing, adding up to a horror outing that plays with the mind as enthusiastically as it ruins the appetite. The people run towards Arda, who panics and shoots wildly at the walls and ceiling as he runs away. A young man brings dirty plates to wash in the back of the restaurant, when he hears knocking at the back door. I feel like this was a better Green Inferno than The Green Inferno, or better yet Baskin did a better job at what The Green Inferno tried to do without trying to do that. This bucket full of meat delivered to the guy at the restaurant surely looks abhorrent. The stranger takes the opportunity to run away, cursing at them as he does. To get to the point, this movie was FUCKED UP. [5], On Rotten Tomatoes, the film holds an approval rating of 78% based on 41 reviews, with a weighted average rating of 6.66/10. Seyfi looks around and sees several more similarly-adorned people in the room, and as he panics, they attack him, forcing him to the ground. The film is brought to us by Jordan Peele of the Key and Peele fame. Arda picks up the stool and beats Baba to death with it, covering himself in blood. Remzi, the officer in charge, has the chef step aside and challenges Yavuz to back up his words by hitting the young man. We had naked people on set in the most conservative areas of town. Seyfi convinces the others to let him drive. The breakout feature debut of director Can Evrenol , "Baskin" is a perfectly imbalanced mix of chilly atmosphere, heavy-handed symbolism, and familiar horror-movie tropes. Get Out (2017) : Movie Plot Ending Explained Get Out is a bizarre movie about the events that happen to a guy named Chris who goes to visit his girlfriend’s parents over a weekend. As he realizes what he is seeing, Arda begins trembling in fear. The officers go to find the person they hit, but the body has disappeared. She also desires to delve into the intricacies of film-making! That was a constant stress. The officers then notice a mass of frogs that has appeared behind the van. Satakshi is a devoted cinephile, who loves to explore unsung and underrated Indian or foreign movies. Another officer, Yavuz, tells a story about his sexual experience with a prostitute, whom he claims looked like a Victoria’s Secret model and turned out to be a man in women's clothing. He tells Arda that not everything has a clear answer, but that tonight they are at a crossroads. The bedroom was lit with red light, did it indicate Hell? The police decide to leave, but the young man says, “If only you weren’t cops” as they exit. And the hooded figure carrying this was presumably Baba’s sidekick. [4] It was later released in the United States by Scream Factory on August 9, 2016 as a two-disk DVD/Blu-ray combo pack. Being a horror movie buff, some French horror movies worked as his inspiration in creating this masterpiece. Inside, another strange ornament hangs from the ceiling in the middle of a hallway. Edit There's also a strange birth scene, not graphic, but still creepy. Yavuz is positioned behind her and has sex with her. MORE: Carole Baskin speaks out after 'Dancing With the Stars' season 29 elimination "I have always considered myself to be bisexual, even though I've never had a wife. “Baskin” is interesting to a degree, but this is a case where overseas origins provide an imaginary edge of avant-garde exoticness the movie doesn’t fully possess. As in the dream, a hand reaches out. He says he wasn't wrong about Arda. He walks with a strange limp, pausing to laugh maniacally. Mr. Evrenol created a world so textured , stunning and rich with ….gore. This movie really impressed me in so many respects but I was thinking (I was afraid) that it was just a rip off from another (or two) films. Remzi yells at him to stop, and to take him instead. It seems to me that this is the first Turkish horror film to be released in the US, et,al. He then describes the opening scene of the movie, revealing that the boy in it was him. Baba approaches them from the doorway. As he does, the hooded figure is revealed in the mirror, standing behind him. Arda finds himself in the restaurant again. Really WET, gore. It's like a Bosch painting met Caligula in the backwoods bayous of Louisiana and had a bastard child. Yavuz falls down and is dragged away. One of them begins laughing, asking if the officers were in an accident. "[13] Arda, Remzi, Yavuz, and Apo go down the stairs, while Sefyi stays with the man they found. Ado says that Seyfi has never had this kind of incident before. He opens Apo’s shirt, revealing a line of crude stitches across his belly, with several inches of intestine protruding from the end. The disfigured man (Baba) walks to Apo, who seems half-conscious. In spite of the tight budget and novice cast, Evrenol managed to pull off his project triumphantly. They stop the van and get out, calling towards the surrounding woods for the man to show himself. 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